Phew, otherwise known as Hiromi Mortani, is a musician based in Kanagawa, Japan. While fronting Aunt Sally, one of Osaka’s earliest punk groups, Phew played a critical role in developing Japan’s underground music scene. Phew’s oeuvre spans a vast array of experimental sounds: from no-wavey synth-hymns; to poppy, shoegazing, industrial undertones; to eerie incandescent drones. Since the 1970s, Phew’s dynamic, compelling voice, and her commitment to unfettered experimentation has been critical in shaping the sound of avant-garde music both in Japan and internationally.
with special guests
SUBR صبر
SUBR صبر is a duo (Nicholas LePage and Lougien Dawoudiah) that creates abstracted soundscapes rooted in Palestinian traditional sounds and field recordings. The soundscapes are built by layering multiple speakers that correspond to reconfigured music controllers. SUBR performs their music as a live conversation between their machines, in which Nick sonically frames the performance with deep and atmospheric tones, that then carry a series of altered traditional Palestinian sounds that Lougien produces by deconstructing, filtering and stripping them down to their bare elements: drums, harmony, vocals, bass. SUBR shares a unique deep listening experience that is renewed everytime they play.
Lamb Fatale
Lamb Fatale is the DJ moniker of Zoë Argiropulos-Hunter, a long time resident of the airwaves at CKCU FM, n10.as and Frozen Section Radio. A genreless selector and burgeoning crate digger, she is a sonic wayfinder driven by music's capacity for community connection and care.
Presented in partnership with Arts in the Margins, Montréal; Debaser, Ottawa; The Music Gallery, Toronto; Send + Receive Festival, Winnipeg; Strangewaves, Hamilton; and Western Front, Vancouver, with the support of the Canada Council for the Arts, the Government of Canada, and Ontario Creates.
Poster by Liz Taylor-Johnson
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Debaser operates on the stolen land of the Anishinaabeg Algonquin people in so-called Ottawa. As a non-Indigenous-led arts organization that presents work by Indigenous artists and other artists of colour, and which benefits from funding from the Canadian government that continues to deprioritize access to clean drinking water for many Indigenous communities, we at Debaser strive to remain mindful of how ongoing colonial processes position us in relation to the artists we support and the work we present. Learn more about this land acknowledgement and find educational resources and ways to support at www.debaser.ca/land-acknowledgement
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Club SAW is a wheelchair accessible spaces. The indoor venue is accessible by a ramp from street level, the doors are automatic, and bathrooms are wheelchair accessible (including adult-sized change tables). Bathrooms are also gender neural.
Please email hello@debaser.ca to inquire about more detailed accessibility information, to reserve seating, or request othr accommodations.
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Masks are encouraged. Free KN94 masks available at the door while supplies last.
Please wash your hands often, and do not come if you are feeling sick.
Attendees, artists and staff are expected to respect one another. Zero tolerance for violence, aggression, oppressive behaviour or language, or bullying. If you are currently implicated in an accountability process, please ensure you are respecting the space and well-being of those you have affected.